What Does Wearing Makeup Say About A Person
Here'southward a question for makeup users and nonusers alike: Would you believe that philosophers once determined makeup trends?
What most poets?
To sympathise the origin of makeup, we must travel back in time about vi,000 years. Nosotros get our start glimpse of cosmetics in ancient Egypt, where makeup served equally a marker of wealth believed to appeal to the gods. The elaborate eyeliner feature of Egyptian art appeared on men and women as early on equally 4000 BCE. Kohl, rouge, white powders to lighten pare tone, and malachite centre shadow (the light-green color of which represented the gods Horus and Re) were all in popular use.
Makeup is mentioned in the Bible too, in both the Jewish scriptures and the Christian Old Testament and New Testament. The Book of Jeremiah, which details the titular prophet'southward ministry from about 627 BCE to 586 BCE, argues against cosmetics use, thereby discouraging vanity: "And you, O desolate 1, what do you hateful that y'all dress in red, that you deck yourself with ornaments of gold, that you enlarge your eyes with pigment? In vain you beautify yourself. Your lovers despise you; they seek your life." In ii Kings the evil queen Jezebel exemplifies the connection between cosmetics and wickedness, beingness described every bit having "painted her eyes and adorned her head" before her expiry at the behest of the warrior Jehu (though Jezebel's makeup apply was non the impetus for her murder).
Then as well was there a disdain for cosmetics among ancient Romans, though non for religious reasons. Hygiene products such equally bath soaps, deodorants, and moisturizers were used by men and women, and women were encouraged to heighten their natural appearance by removing trunk pilus, but makeup products such as rouge were associated with sexual practice workers and hence were considered a sign of shamelessness. Deriding makeup users is a common theme in Roman poems and comic plays (though theatrical performers constituted ane of the few classes of people expected to use cosmetics), and admonitions against makeup announced in the personal writings of Roman doctors and philosophers. The elegiac poet Sextus Propertius, for instance, wrote that "looks every bit nature bestowed them are ever nearly becoming." And the philosopher Seneca the Younger, in a letter to his mother, praised the fact that she "never defiled her confront with paints or cosmetics."
This Roman view of cosmetics was at least partially rooted in Stoicism, a philosophy that foregrounded moral goodness and man reason. Stoics regarded beauty equally intrinsically related to goodness. While an attractive physical form might exist desirable, true "beauty" was instead associated with moral acts. Decorating the body with cosmetics implied a vanity or selfishness that, to Stoics, was undesirable. Though Stoicism was non confined to ancient Rome—it was also prevalent amid aboriginal Greek thinkers, some of whom shared the same ideas about makeup—in Rome it affected the mainstream opinion of cosmetics. Not every Roman was resistant to makeup; some people continued to rouge their cheeks, whiten their faces, and line their eyes. Only the Stoic ideal leaned toward what we today might phone call "no-makeup makeup"—using peel intendance products and other toiletries to raise one's natural appearance, not to decorate it.
And then continued a pattern of embracing and rejecting makeup in the Western world. Cosmetics were so pop in the Byzantine Empire that its citizens gained an international reputation for vanity. The Renaissance era embraced all forms of physical beauty, which people sought to attain especially through hair dye and peel lighteners (which, containing powdered lead and other harmful products, frequently proved toxic). Another widespread motility against cosmetics appeared in the mid-19th century, when Britain's Queen Victoria alleged makeup to be vulgar, and cosmetics once over again went out of style. Though many women didn't requite upward makeup entirely, many now practical it in undercover: who was to say their cheeks weren't naturally rosy?
Information technology wasn't until near the 1920s that highly visible cosmetics, such equally red lipstick and dark eyeliner, reentered the mainstream (at to the lowest degree in the Anglo-American world; not everyone had listened to Queen Victoria and eschewed makeup in the get-go identify). Equally the beauty industry gained a fiscal foothold, ofttimes in the course of individual women selling to other women, dissenters found that they could no longer compete. Cosmetics, now "productized" and advertised, over again became a mark of wealth and condition, and emphasizing physical features, fifty-fifty for sex entreatment, was no longer considered quite so selfish or wicked. Eventually, advertisers persuaded women to take the contrary view: cosmetics were a necessity.
But that's another story entirely.
Source: https://www.britannica.com/story/why-did-we-start-wearing-makeup
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